Engagement, baby’s mittens Engagement, baby’s mittens, ocean floor, Palermo rose, Lake Tahoe, timid white, Iguana green, blue echo, sycamore, Unspoken love, dark lilac, nighty night. Tomato tango, tint of mint, rustique, Petunia, modern romance, wild mush- Room, vintage claret, Celtic folklore, week- End get-away, alfresco, royal flush. Plum martini, Oklahoma wheat; Confetti, evening skyline, sun-kissed […]

Whereas I feel the photographs have a propensity to document, the paintings have no such obligation and as such they use the information in the photographs quite freely and make whatever is needed of the images. There is much re-drawing of the space, re-articulating, such as stepping back to get a slightly more distant view, […]

So much had already been said and photographed about Detroit’s abandonment and the so-called images of “ruin porn” that fetishized the cities misfortune, that when I first went back to explore my hometown in 2010, I began to question the motives of those who had preceded me and their intentions. After all, there were still […]

Every photographer I know, at some point in their career, has studied Walker Evans’ photographs of Hale County, Alabama made during the Great Depression. Before I made photographs, I looked to his with an almost mystical wonder and curiosity. The photographs endure as the pinnacle of what photography can and should be, as Evans himself […]

During this period, 1995 to 2000, that I created “Outland,” my work gradually shifted from documenting the world to transforming it through the camera and the deeper parts of my mind. At the same time I began to view myself as an artist/photographer rather than a photographer. The photographs came about as a result of […]

I begin thinking about a site-responsive installation in terms of delineating discrete areas of sculptural marks hewing closely to the walls. These zones are constructed with simple synthetic materials—mosquito netting, fishing line, plastic tarps—that give my vocabulary physicality, but don’t weigh it down. Materials that can be manipulated into varied configurations help me navigate and […]

“I had a break-through in my painting when I began thinking metaphorically. It started with a vein in a forehead, then the realization that everything could be vascular. So tendrils of hair became capillary, as did tendrils of light, stripes in a shirt were arterial, a scrunchie hairband a thrombosis. This was a key for […]

“It felt like a discovery for me—and I liked the idea of a kind of cyclical studio process where the object and subject get conflated.” Erin O’Keefe discusses a photograph from her series, “The Flatness.” © Erin O’Keefe. The Flatness #11, 2013, Inkjet print on matte rag paper. Image courtesy of the artist. This photograph […]

“…[M]y work has always been concerned with a physical relationship with the body and how the body negotiates the world and receives a painting – through movement,” Joan Waltemath said in conversation with painter Gordon Moore. Joan Waltemath’s paintings and drawings proceed from a deep understanding of how the body engages art—how their surfaces trigger […]

The more successful paintings for me are the ones in which the figure-ground relationship is less stable; your eye can’t completely fix on a specific area, and the surface is in constant flux. For me it keeps the painting from becoming too easily read. The work of painter Patrick Burns is elegant and seductive with […]