George Tice, "Shaker Interior," Sabbathday Lake, Maine, 1971.

This is when I love photography; when the medium born to tell a story, doesn’t. No other art form is capable of producing this kind of exchange—giving an expectation of an exact record, only to strip that preconception away, leaving form in its place. In 2012, I saw an exhibition of platinum/palladium prints by master […]

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